What started out as an artist’s studio, characterised by an impressive roof height, called from a complete redesign. The living room is organised around the James sofa (designed by Andrea Parisio for Meridiani) and a coffee table, craftedusing an ancestral technique called scagliola, which imitates marble and stone (designed by McCollin Bryan). A Crown side table from 101 Copenhagenstands between the Pacha armchairs (reissued by Pierre Pualin, from Gubi). In the entrance hall, the eye is immediately drawn to the sculptural console table (Morgan model, designed by Kelly Hoppen) with a base composed of geometric blocks. Pivoting screens elegantly conceal the structural posts and lend greater intimacy to the space.
The comprehensive remodelling softens the industrial feel of the original architecture, sets off the interior spaces to perfection and introduces new textures and finishes. The metal framework and old dark-coloured woodwork have been toned down. On the ground floor, a light, neutral paint colour has been chosen (Slaked Lime Mid, by Little Greene). The carefully designed lighting highlights the existing beams, while sleek furniture adds balance and elegance. The steel structures and panelling under the roof have been painted white to create a brighter and more welcoming environment. The home has been imbued with a new soul, in line with the clients’ desire to create a warmer, more comfortable space. In the kitchen, the marble island contrasts with dark wood storage units. For the bar stools, the designer went for the Polo model by Robert Langford. On the rug (Lema), a vintage Groovy armchair, designed by Pierre Paulin has been arranged next to a Nanded side table (House Doctor at Nordic Nest).
In the office, as is the case throughout the property, the colours seem to revolve around Pantone’s colour of the year for 2026. Dubbed Cloud Dancer, a soothing off-white, the name is also a nod to Daniel Campos, a famous American dancer and choreographer, and to a 1980s aviation film. This airy, slightly creamy shade evokes a sense of calm and serenity in line with a yearning for peace and reflection. Its versatility allows it to structure colour palettes, accentuate pastels or enrich natural tones, and create elegant contrasts with dark shades, black and brown. On the left, the Loloey rug, designed by Kelly Hoppen. Simpliciter armchairs, designed by Antonio Citterio for Maxalto. Faringdon floor lamp, from Vaughan. Bespoke desk, designed by Kelly Hoppen, paired with the Colette swivel chair, designed by Roberto Lazzeroni for Baxter. On the worktop, Harry lamp with silk shade (from Porta Romana).
The master bedroom has undergone a major reconfiguration to overcome the problem of its awkward layout. It now boasts two dressing rooms, a large bathroom and a spectacular 4-metre-high bay window (sourced from Crittall), while a window on the street side, which was previously concealed, has been restored to its former glory. Functional lighting has been fitted in keeping with the flow of everyday activities by incorporating spotlights into the architecture, with indirect lighting and mood lighting added to create different atmospheres. The bed (Doreen Scott and C&C Milano) is equipped with bedside tables, custom-made by a carpenter. Next to the Groovy armchair (designed by Pierre Paulin) is the Rona side table, composed of stacked discs, designed by Andrew Martin. The Oyster Ceiling pendant light is the work of Gareth Devonald Smith. Circular wall lights in alabaster and brushed brass by Beran, designed by Bert Frank.
The minimalist bathroom space has been treated with a coating that envelops the floor and walls, creating an immersive experience that blends Eastern and Western influences. An impression of understated luxury has been produced thanks to the use of fine, high-quality materials, such as the wood chosen for the bathroom furniture. In keeping with the ‘News Neutrals’ spirit, Kelly Hoppen’s palette combines natural, light and timeless shades of chalk, plaster, sand and pebble in a subtle monochrome to accentuate the feeling of space, light and relaxation. The marble basin top (Oka model, from 101 Copenhagen) is inspired by traditional Japanese serving trays. The XXL walk-in shower spans the entire width of the space. Its transparent glass walls allow light from the window to pass through and accentuate the depth of the room, encouraging central circulation. Curved bathtub and white stone bathtub bridge, from Lusso.
A dressing table complete with a vanity mirror and drawers for convenient storage manages to contrive a contemporary boudoir vibe. The floor-to-ceiling mirror enlarges the space. It is framed by two wall lights in bronze and aged brass (Covex model, from Porta Romana). The fabric upholstered pouffe features beautiful finishes with topstitching and a lightweight, suspended seat on a cylindrical base (Florin model from The Sofa & Chair Company). The shelves, fully integrated into this custom-made design, showcase black and white ceramic pieces, adding a decorative touch: Pirout vase from Nordic Nest, Vio bowl from Gazar and Duck Jar box, designed by Nicolaj Nøddesbo and Tommy Hyldahl, from 101 Copenhagen.
Photos: © Mel Yates
